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DC Field | Value | Language |
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dc.contributor.author | Sinclair, Roderick | - |
dc.date.accessioned | 2010-03-03T16:21:06Z | - |
dc.date.available | 2010-03-03T16:21:06Z | - |
dc.date.issued | 2008 | - |
dc.identifier.uri | http://hdl.handle.net/10443/654 | - |
dc.description | PhD Thesis | en_US |
dc.description.abstract | The contemporarya cousticg uitarh asd evelopedfr om its origins in the 'Spanish' guitar to become a global instrument and the musical voice of a wide range of styles. The very 'acousticity' of the instrumentp ositionsi t as a binary oppositet o the electric guitar ano as a signifier for the organic and the natural world, artistry and maturity,e clecticisma ndt he esoteric.I n this concept-rootedsu bmissiont,h e acoustica nd guitaristicn atureo f the instrumentis consideredin relationt o a range of social, cultural and artistic concerns, and composition is used primarily to test a thesis, wherein a portfolio of original compositions, presented as recordings and understooda s phonogramsc, ommentu pona ndr eflect uponm odeso f performativity: instrument specific performance, introspection, virtuosity, mediation by technology and performance subjectivities. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Newcastle University | en_US |
dc.title | Acoustic guitar practice and acousticity :establishing modalities of creative practice | en_US |
dc.type | Thesis | en_US |
Appears in Collections: | School of Arts and Cultures |
Files in This Item:
File | Description | Size | Format | |
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Sinclair08v1.pdf | Thesis | 11.27 MB | Adobe PDF | View/Open |
Sinclair08v2.pdf | Thesis | 15.92 MB | Adobe PDF | View/Open |
dspacelicence.pdf | Licence | 43.82 kB | Adobe PDF | View/Open |
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