Collection's Items (Sorted by Submit Date in Descending order): 21 to 40 of 179
| Issue Date | Title | Author(s) |
| 2022 | Older teen girls and films | Holt, Anna |
| 2022 | Contemporary Art Galleries and Cultural Policy in the Age of Intensified Marketisation: The Case of England’s Public-Funded Arts Organisations | Hopkin, Thomas |
| 2022 | Walking pictures : investigating through film practice the structural, sequential and durational character of the urban walk | Pattison, Michael |
| 2022 | Unravelling gender, party and politics in 280 characters : an exploration of British Politicians’ tweets during and between election campaigns | Jansen, Marloes Gerardina Maria |
| 2021 | Mediated Representations of Women in Qatar : a mixed-methods study exploring symbolic annihilation, presentation of self, and postfeminist sensibilities in the Gulf Times and among women influencers on Instagram | Lance, Elizabeth Ashley |
| 2022 | Observing and Theorising the Learning of Songwriting through Autoethnography | Whiting, Christopher James |
| 2022 | Audience 2.0 : new dynamics of audience reception in the age of social media | Crosby, Jessica Marie |
| 2022 | Bindings, boundaries and cuts: relating agency and ontology in photobook encounters | Carlin, Briony Anne |
| 2022 | Crisis management, reinvention and resilience in museums : the Imperial War Museum during the Second World War Era, 1933-1950 | Deans, Phillip William |
| 2021 | Moving Moments: Uses of European Pasts in Heritage and Political Discourse | Farrell-Banks, David |
| 2021 | Probing the evolutions and proliferations of beatmaking styles in hip hop music | Bridgewater, Michael Philip |
| 2021 | Music of the French Counterculture: 1966-1975 | Patfield, Ruairidh MacLaren |
| 2020 | Fostering sustainable university-university museum relationships: a study on the integration of museum collections in Higher Education curricula | Sabelli, Philip |
| 2020 | UM, ER it’s not what you do it’s the way that you do it | Stobbart, Kate |
| 2020 | “We don’t have a collection, just an art gallery”: An enquiry into the origins, rationale and role of the Hatton Gallery Collection formed by Professor Lawrence Gowing for King’s College, University of Durham, from 1952 to 1957 | Stephenson, Melanie Gail |
| 2020 | Musical Images in the Churches of Devon and Cornwall before 1700 | Rose-Jones, Daniel |
| 2020 | The Art of Justice: Reconfiguring the Courtroom Object | Latchem, Johannah Elizabeth |
| 2020 | Editorship, canonicity and nostalgia in Wang Duanshu’s Collection of Elegance (1667) | He, Yuemin |
| 2020 | Repainting the Pitmen : The Ashington Art Group & Robert Lyon - Rethinking Legacy through Archive and Practice | Price, Narbi |
| 2020 | ‘Let the people sing!’ : aspects of choir culture from Tyne to Tweed, 1852-1989 | Large, William Roy |
Collection's Items (Sorted by Submit Date in Descending order): 21 to 40 of 179
